Marie Chouinards sexually charged entry programme discovers dancers locked up like zoo animals then unleashed, while Vladimir Putin is razzed with whips and made to dance with a Nubian Queen
A naked wife perforates her body frequently against a wall, her show obscure by the dark fall of mane comprising her face. A sallow, serious teenager dances a lonely route through a mob of onlookers, his limbs drift, warping and buckling to low-level electronic music. A middle-aged gentleman in a knitted cap and lifeguards jacket wipes the flooring, talking all the while about the counsel to purify his life.
There is nothing brand-new about visual artistry that blurs into performance, or dance that verges on installation, but at Venice this year the question of categories feels interestingly loaded. Daina Ashbees Unrelated and Benot Lachambres Lifeguard are the firstly and third affairs described above, hitherto while they feature in the program that has been put together by the dance biennales new artistic head, Marie Chouinard, neither wield embraces traditional modes of choreography. The languorous street-dance solo, meanwhile, comes from Anne Imhofs Faust, a five-hour incident that is drawing the largest gathering at the artistry biennale and whose usage is heavily predicated on dance.
The agency of the body is a key theme of Faust, often because its cast are forced into situations of unsettling passivity. Imhof has transformed the interior of the German pavilion into glass assemblies within which private individuals or small groups of performers are restricted. As we tread past or even above them, we are going to be able observe these young men and women engaged in their own variously stolid, hostile or sexual tasks, as if the latter are laboratory samples or swine in a zoo.
Those glass walls and ceilings start to feel like an absolute fraction, turning us into voyeurs and the musicians into objectives even when theyre exhibiting signals of threatening practice. It comes as a outraging reversion of power when the musicians are sporadically let out of their cadres and allowed to dance among us, taking abrupt bidding of the opening and maintaining their supremacy over our clumsy, self-conscious bodies.
Read more: www.theguardian.com