Marie Chouinards sexually accused debut program encounters dancers locked up like zoo swine then unleashed, while Vladimir Putin is razzed with flogs and made to dance with a Nubian Queen
A naked female punches her body frequently against a wall, her expression veiled by the dark drop-off of “hairs-breadth” considering her appearance. A pale, serious youth moves a lonely itinerary through a mob of spectators, his limbs swim, warping and fastening to low-level electronic music. A middle-aged person in a knitted cap and lifeguards coat wipes the floor, talking all the while about the exhort to purify his life.
There is nothing new about visual prowes that blurs into performance, or jig that verges on station, but at Venice this year issues of categories finds interestingly loaded. Daina Ashbees Unrelated and Benot Lachambres Lifeguard are the firstly and third phenomena described above, hitherto while they feature in the programme of activities that has been put together by the hop biennales brand-new aesthetic chairman, Marie Chouinard, neither make embraces traditional modes of choreography. The languorous street-dance solo, meanwhile, comes from Anne Imhofs Faust, a five-hour affair that is describing the most significant gathering at the art biennale and whose expression is heavily predicated on dance.
The agency of the body is a key theme of Faust, often because its cast are forced into situations of unsettling passivity. Imhof has altered the interior of the German pavilion into glass enclosures within which individuals or small groups of musicians are confined. As we saunter past or even above them, we can observe these young men and women engaged in their own variously stolid, hostile or sexual works, as if they were laboratory specimen or animals in a zoo.
Those glass walls and ceilings start to feel like an absolute fraction, swerving us into voyeurs and the musicians into objects even when theyre exhibiting signals of warning behaviour. It happens as a scandalizing reversion of strength when the musicians are sporadically let out of their cells and allowed to dance among us, taking abrupt command of the opening and asserting their dominance over our clumsy, self-conscious bodies.
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