Marie Chouinards sexually accused debut programme checks dancers locked up like zoo swine then released, while Vladimir Putin is razzed with beats and made to dance with a Nubian Queen
A naked woman pierces her body repeatedly against a wall, her show conceal by the dark twilight of fuzz including her face. A sallow, serious boy dances a solitary itinerary through a gathering of spectators, his limbs float, warping and buckling to low-level electronic music. A middle-aged being in a knitted cap and lifeguards casing sweeps the floor, talking all the while about the counsel to cleanse his life.
There is nothing new about visual art that blurs into performance, or dance that verges on installation, but at Venice this year the question of categories seems interestingly loaded. Daina Ashbees Unrelated and Benot Lachambres Lifeguard are the first and third contests described above, yet while they feature in the programme of activities that has been put together by the dance biennales brand-new aesthetic administrator, Marie Chouinard, neither operate embraces traditional modes of choreography. The dreamy street-dance solo, meanwhile, comes from Anne Imhofs Faust, a five-hour happen that is depicting the most significant army at the prowes biennale and whose speech is heavily predicated on dance.
The agency of the body is a key topic of Faust, often because its cast are forced into situations of unsettling passivity. Imhof has transformed the interior of the German pavilion into glass enclosures within which private individuals or small groups of musicians are held. As we march past or even above them, we can observe these young men and women engaged in their own variously listless, hostile or sexual works, as though it were laboratory specimens or swine in a zoo.
Those glass walls and ceilings start to feel like an absolute divide, swerving us into voyeurs and the performers into objects even when theyre exhibiting signeds of menacing practice. It comes as a outraging change of capability when the musicians are sporadically let out of their cadres and allowed to dance among us, taking abrupt bid of the seat and declaring their dominance over our tricky, self-conscious bodies.
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