Marie Chouinards sexually accused introduction program views dancers locked up like zoo swine then loosed, while Vladimir Putin is razzed with beats and made to dance with a Nubian Queen
A naked woman perforates her body repeatedly against a wall, her speech conceal by the dark drop of mane extending her appearance. A pallid, serious youth dances a lonely route through a audience of onlookers, his limbs float, warping and buckling to low-level electronic music. A middle-aged soul in a knitted cap and lifeguards casing embroils the floor, talking all the while about the push to purge his life.
There is nothing new about visual prowes that blurs into performance, or dance that verges on station, but at Venice this year the question of categories feels interestingly loaded. Daina Ashbees Unrelated and Benot Lachambres Lifeguard are the first and third phenomena described above, yet while they feature in the programme that has been put together by the dance biennales brand-new artistic head, Marie Chouinard, neither study cuddles conventional the various modes of choreography. The dreamy street-dance solo, meanwhile, comes from Anne Imhofs Faust, a five-hour phenomenon that is depicting the largest army at the prowes biennale and whose speech is heavily predicated on dance.
The agency of the body is a key topic of Faust, often because its cast are forced into situations of unsettling passivity. Imhof has transformed the interior of the German pavilion into glass assemblies within which private individuals or a small number of performers are confined. As we move past or even above them, we can observe these young men and women engaged in their own variously stolid, hostile or sex works, as if they were laboratory specimens or animals in a zoo.
Those glass walls and ceilings start to feel like an absolute subdivide, swerving us into voyeurs and the performers into objects even when theyre exhibiting signalings of warning behaviour. It comes as a sickening reversion of ability when the musicians are sporadically let out of their cells and allowed to dance among us, taking sudden bid of the space and alleging their supremacy over our awkward, self-conscious bodies.
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