Marie Chouinards sexually charged introduction curriculum witnesses dancers locked up like zoo animals then loosed, while Vladimir Putin is taunted with beats and made to dance with a Nubian Queen
A naked woman punches her body repeatedly against a wall, her show hide by the dark drop-off of fuzz treating her look. A pallid, serious teenager dances a solitary itinerary through a gathering of spectators, his limbs drift, warping and fastening to low-level electronic music. A middle-aged husband in a knitted detonator and lifeguards case sweeps the storey, talking all the while about the advocate to purify his life.
There is nothing new about visual prowes that blurs into performance, or dance that verges on station, but at Venice this year issues of categories experiences interestingly loaded. Daina Ashbees Unrelated and Benot Lachambres Lifeguard are the firstly and third contests described above, hitherto while they feature in the programme that has been put together by the dance biennales brand-new aesthetic administrator, Marie Chouinard, neither operate embraces traditional modes of choreography. The dreamy street-dance solo, meanwhile, comes from Anne Imhofs Faust, a five-hour contest that is outlining the most significant audience at the prowes biennale and whose speech is heavily predicated on dance.
The agency of the body is a key theme of Faust, often because its cast are forced into situations of unsettling passivity. Imhof has changed the interior of the German pavilion into glass enclosures within which individuals or a small number of musicians are held. As we go past or even above them, we can observe these young men and women engaged in their own variously listless, hostile or sexual acts, as though it were laboratory specimen or swine in a zoo.
Those glass walls and ceilings start to feel like an absolute divide, turning us into voyeurs and the musicians into objectives even when theyre exhibiting signalings of threatening action. It comes as a shocking reversion of capability when the musicians are sporadically let out of their cells and allowed to dance among us, taking sudden dominate of the seat and postulating their primacy over our awkward, self-conscious bodies.
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